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Then they changed her hair, dyeing it three shades of blond at once.
Columbia Pictures’ house designer Jean Louis was brought in to remake her wardrobe.
He was still smarting from having let Marilyn Monroe slip away: unimpressed by her beauty, he had neglected in 1948 to renew her initial six-month contract.
Cohn decided he was going to take the next girl who walked into his office and manufacture a new star for Columbia Pictures, one who would do exactly what he wanted, who wouldn’t walk away until he and the public were finished with her.“We always had a blonde,” George Sidney remembers.
“But no one could beat Harry—he was too smart, he was too sharp. Mayer, Harry Cohn, Jack Warner—these men with their blood and their money and their reputations, they smelled out who had star material.”Cohn took all the credit for creating Rita Hayworth—he was also obsessed with her.
Cohn wanted to be known as the toughest, meanest mogul in Hollywood.
He brandished a riding crop and slashed it across his desk to terrify employees.
threatened to become a national scandal on the eve of America’s long struggle for civil rights.
It started in 1957 at Chicago’s most famous nightclub, Chez Paree.
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She balked at being renamed “Kit Marlowe,” and, incredibly, she won that battle.